Walks: Hood, deYoung Museum
Distances: 4 miles average
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| Coffin lid of Queen Ahhotep II. Egyptian, Luxor, West Bank, Dra Abu el-Naga, tomb of Queen Ahhotep II. New Kingdom, Late Dynasty 17 or early 18, reign of Ahmose I. Wood, gilded, painted, and stucco. |
So, virtually everything Ciwt has seen or knows about the ancient Egyptian life and culture stems from the two massive exhibitions the deYoung Museum and MondoMostre hav mounted in collaboration with the Supreme Council of Antiquities of Egypt. Beginning August 1 Treasures of the Pharaohs, a third of these ancient Egyptian visual and educational extravaganzas will be on view until January 31, 2027. Judging from the large number of dignitaries and members of the press at yesterday's Press Preview, it will draw viewers from all over the world.
Good! Like Ciwt, visitors will get rare insights into ancient Egyptian society, its beliefs and creations. The exhibition begins at the top with the pharaohs who were considered kings, military leaders and chief priests from ca 3100 BC until 30 BC when Egypt was invaded by Rome. But the pharaohs were not loners; in order to carry otr their many social, political, spiritual, military functions, they depended on royal family members, a complex bureaurocracy of high-ranking officials, artisans whose creations included daunting symbols of power, exquisite jewelry and furnishings.
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| Armchair of Princess Sitamun, Egyptian, Luxor, Valley of the Kings, Tomb of Yuya and Thuya (KV 46), New Kingdom, reign of Amenhotep III, wood, gold leaf, stucco, plant fibers |
And the all important servants who made everyday life not just functional but beautiful, refined - and fun!
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| Servant brewing beer, Egyptian, Giza necropolis, Old Kingdom, dynasty 5, Limestone, painted |
The more Ciwt let go of what she thought she knew and looked closely - like a child - at the rare and splendid objects in Treasures of the Pharaohs, the more she noticed their sense of humanity. In the past she has been diverted by the stiff Egyptian style and paid little attention to the individuals portrayed. But the Treasures exhibition is very well spaced so she had an opportunity to really look at the various faces and saw that they are very definte portraits that capture much of the individuality of the subject. Even the sensitive double portrait of the priest below shows slightly different aspects of him.


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